下载Man Playing a Stringed Instrument verso 692092934*4000px大图
2.
Two Seated Boys One Plaing a Stringed Musical Instrument690264000*2840px 高清作品[98%]
3.
Hermann Kern的“仪器制造商车间” 高清作品[72%]
图片文件尺寸 : 2067 x 3200px
Hermann Kern的“仪器制造商车间”-Hermann Kern
The instrument makers workshop--Hermann Kern (奥地利, 1838-1912)
4.
埃德温·奥斯汀·艾比《学习，乐器天使》 高清作品[71%]
图片文件尺寸 : 2086 x 2641px
埃德温·奥斯汀修道院《学习，乐器天使》-Edwin Austin Abbey
Study, Angel with Musical Instrument--Edwin Austin Abbey (美国, 1852 - 1911)
5.
弗朗索瓦·安德烈·文森特的《坐在键盘上的人》 高清作品[67%]
图片文件尺寸 : 2051 x 3007px
弗朗索瓦·安德烈·文森特的《坐在键盘上的人》-François-André Vincent
Man Seated at a Keyboard Instrument--François-André Vincent (法国, 1746-1816)
6.
让·安托万·瓦托对小提琴家调整乐器的两项研究 高清作品[67%]
图片文件尺寸 : 2558 x 3724px
让·安托万·瓦托对小提琴家调整乐器的两项研究-Jean-Antoine Watteau
Two Studies of a Violinist Tuning His Instrument--Jean-Antoine Watteau (法国, 1684 - 1721)
7.
阿道夫·斯特恩斯丘斯（Adolf Sternschus）的《坐着的女人拿着乐器的档案》 高清作品[64%]
图片文件尺寸 : 2267 x 3568px
阿道夫·斯特恩斯丘斯（Adolf Sternschus）的《坐着的女人拿着乐器的档案》-Adolf Sternschuss
akt siedzącej kobiety trzymającej instrument muzyczny--Adolf Sternschuss (波兰, 1873–1915)
8.
阴茎、海燕。1495-1552. Petrum Apianum的仪器书仅由new描述。因戈尔施塔特：[彼得和格奥尔格·阿皮亚恩]，1533年。 高清作品[61%]
![<em>Instrument</em> Buch durch Petrum Apianum erst von new beschriben. Ingolstadt: [Peter and Georg Apian], 1533.](http://www.minghuafuzhi.com/2022/12/02135653598.jpg)
图片文件尺寸 : 5324 x 5860px
APIANUS, PETRUS. 1495-1552.:Instrument Buch durch Petrum Apianum erst von new beschriben. Ingolstadt: [Peter and Georg Apian], 1533.
Folio (285 x 185 mm). Title page in red and black with woodcut of astronomers, numerous woodcut diagrams of scientific instruments in text, lacking 9 plates at end. Modern blind-tooled calf. Title page re-margined at bottom, margins trimmed with slight losses to edges of some woodcuts, scattered browning, some scuffing to covers.
Apianus taught mathematics at the University of Ingolstadt, wrote a number of scientific treatises on a range of topics, and designed a variety of astronomical instruments. His instrument designs and the method for using them are presented in this meticulously illustrated production from his own printing house. Dodgson II, 244; Ortroy 104; Tomash Williams A83; Zinner 1514.
阴茎、海燕。1495-1552. Petrum Apianum的仪器书仅由new描述。因戈尔施塔特：[彼得和格奥尔格·阿皮亚恩]，1533年。
下载阴茎、海燕。1495-1552. Petrum Apianum的仪器书仅由new描述。因戈尔施塔特：[彼得和格奥尔格·阿皮亚恩]，1533年。大图
9.
陈震 乐器 高清作品[60%]
10.
卡尔·克里斯蒂安·沃格尔·冯·沃格尔斯坦（Carl Christian Vogel von Vogelstein）的《拿着绘图工具的女孩》（Thekla Ludolf伯爵夫人） 高清作品[59%]
图片文件尺寸 : 2706 x 4000px
卡尔·克里斯蒂安·沃格尔·冯·沃格尔斯坦（Carl Christian Vogel von Vogelstein）的《拿着绘图工具的女孩》（Thekla Ludolf伯爵夫人）-Carl Christian Vogel von Vogelstein
Junge Dame Mit Zeichengerät (Girl With a Drawing Instrument, The Countess Thekla Ludolf)--Carl Christian Vogel von Vogelstein (德国, 1788-1868)
下载卡尔·克里斯蒂安·沃格尔·冯·沃格尔斯坦（Carl Christian Vogel von Vogelstein）的《拿着绘图工具的女孩》（Thekla Ludolf伯爵夫人）大图
11.
埃德温·奥斯汀·艾比《学习，乐器天使》 高清作品[52%]
图片文件尺寸 : 2086 x 2641px
埃德温·奥斯汀修道院《学习，乐器天使》-Edwin Austin Abbey
学习，乐器天使--Edwin Austin Abbey (美国, 1852 - 1911)
12.
约瑟夫·莫森。1627-1691. 天文和地理导师。伦敦：S.Roycroft，代表约瑟夫·莫森，1686年。 高清作品[37%]
图片文件尺寸 : 5238 x 5401px
MOXON, JOSEPH. 1627-1691.:A Tutor to Astronomy and Geography. London: S. Roycroft, for Joseph Moxon, 1686.
Small 4to (199 x 158 mm). Engraved portrait frontispiece, engraved and woodcut illustrations in text. Contemporary brown suede, rebacked. Covers worn, browning and spotting, marginal tear to Bb4 and larger tear to Hh1 into text, ink ownership inscription (dated 1692) on free front endpaper.
Fourth edition, enlarged and corrected. Moxon was Hydrographer to Charles II, as well as a mapmaker, globe maker, and mathematical instrument maker. ESTC R11899; Wing M3025.
约瑟夫·莫森。1627-1691. 天文和地理导师。伦敦：S.Roycroft，代表约瑟夫·莫森，1686年。
13.
乔治亚当斯。1750-1795. 显微镜论文包含最先进显微镜的实用描述……伦敦：罗伯特·辛德马什为作者印刷，1787年。 高清作品[33%]
图片文件尺寸 : 4145 x 4085px
ADAMS, GEORGE. 1750-1795.:Essays on the Microscope; Containing a Practical Description of the Most Improved Microscopes.... London: Printed for the author, by Robert Hindmarsh, 1787.
4to (285 x 230 mm). Mezzotint frontispiece. Contemporary half calf and marbled boards; front joint starting.
WITH: Plates for the Essays on the Microscope. London: Robert Hindmarsh, 1787.
4to (275 x 220 mm). 32 engraved double-page plates. Modern buckram cloth. Pl 3 detached from mount, foxed throughout, heavy in places.
FIRST EDITION of this work on microscopy by George Adams, Jr. (1750-95), who succeeded his father, George Adams, Sr. (1709-73), as mathematical instrument maker to George III. Nissen ZBI 24.
乔治亚当斯。1750-1795. 显微镜论文包含最先进显微镜的实用描述……伦敦：罗伯特·辛德马什为作者印刷，1787年。
下载乔治亚当斯。1750-1795. 显微镜论文包含最先进显微镜的实用描述……伦敦：罗伯特·辛德马什为作者印刷，1787年。大图
14.
Valerio Adami，当代艺术I 高清作品[29%]
图片文件像素：5850 x 5365 px
Valerio Adami，当代艺术I-
Valerio Adami * - Zeitgenössische Kunst I-
(born in Bologna in 1935)
The Guggenheim, 1968, dated, signed and titled on the reverse, oil on canvas, 97 x 130 cm, framed
This work is registered in the Archivio Valerio Adami
This work is accompanied by a certificate signed by the artist
Provenance:
Sale Farsetti, Prato, 26 November 1994
European Private Collection
As Valerio Adami wrote in 1968, “The hand is a kind of seismograph giving body to the traces left by the circuit of imagination”: the drawing hand is an instrument that records what the eye looks at and the mind sees. It is the starting point of the artist’s method: the hand-seismograph that in the “journey of drawing” goes through the kaleidoscope of his inspiration, and that in the essentiality of the line reworks, summarizes, juxtaposes, disassembles and reassembles it. […]
The lines of the drawing, eternally moving as the mind distilling them, - since for Adami “nulla dies sine linea” (no day without a line) – are the “off the beaten track” trails that the artist constantly crosses and connects. He does so by bringing distant worlds together, from the Ganges to the Matterhorn and from Paris to Finland by making the Greek mythological narrative coexist with New York street life, by recalling the light spells of Lake Maggiore or the clouds at sunrise.
(G. Ranzi, Valerio Adami and the lightly swaying desire, in “Valerio Adami. Immagine e pensiero”, Dep Art, Milan 2002)
15.
罗哈斯·萨米恩托，胡安·德。FL.1540-1550。 《Astrolabium，Planisphaerium Vocant》中的评论员，《Lucem Editi》中的《图书馆性爱第一》。巴黎：迈克尔·瓦斯科桑，1550年。 高清作品[29%]
图片文件尺寸 : 5267 x 5418px
ROJAS SARMIENTO, JUAN DE. Fl.1540-1550.:Commentariorum in Astrolabium quod Planisphaerium Vocant, Libri Sex nunc Primum in Lucem Editi. Paris: Michael Vascosan, 1550.
8vo (230 x 165 mm). Woodcut illustrations and diagrams, including 15 full-page illustrations of the astrolabe, woodcut initials. [xxiv], 282, [12] pp, lacking 2M6 (blank), italic type. Modern full paneled cat\'s paw calf, spine gilt; title extended and repaired, slight foxing, a few pages with extensive early ink marginalia, E1 lower corner repair.
FIRST EDITION of this important treatise on the astrolabe, presenting Rojas\' model for a universal astrolabe with orthographic projection. \"The chief novelty in [the astrolabe] consisted in a special treatment of the face of the instrument as an orthographic projection of the sphere on the plane of the meridian\" (Gunther, Astrolabes of the World). Houzeau Lancaster 3275; Mortimer, Harvard French 462.
罗哈斯·萨米恩托，胡安·德。FL.1540-1550。 《Astrolabium，Planisphaerium Vocant》中的评论员，《Lucem Editi》中的《图书馆性爱第一》。巴黎：迈克尔·瓦斯科桑，1550年。